Recent Updates

NAB 2017: New Products from Sony at NAB 2017

At the Sony NAB 2017 Press Conference,  it was announced that the Sony FS5 will receive a firmware upgrade enabling 120p slow motion in HD and the Sony F55 will get slow motion of up to 120p in 4K.

New products were also announced including: 

The new LMD-B240 is an LCD basic grade full HD production monitor, with a lightweight and slim body for easy installation with natural ventilation (no cooling fan). The monitor features a unique Sync-Free Side by Side function. SDI and HDMI inputs, as well as HD, SD, different frame rates, interlace, PsF, and progressive can be configured. The monitor delivers low signal processing latency, and focus assist that works with the main image.

AXS-AR1-small

AXS-AR1 – AXS memory and SxS memory card reader using a Thunderbolt™ 2 interface. The Thunderbolt 2 connector also enables daisy-chain operation. This new reader is Sony’s first card reader to have AXS Memory A series and SxS Memory card slots. The versatile reader supports simultaneous recording workflow, i.e., RAW (or X-OCN) and XAVC (or MPEG50) files recorded by F55/F5 and AXS-R7.

DVF-EL200_small

DVF-EL200 – The DVF-EL200 is a high quality full HD (1920×1080) OLED viewfinder for the F55 and F5 that offers easy focusing and framing. With nearly twice the brightness of Sony’s DVF-EL100 and enhanced usability, the viewfinder is durable and resistant and can be quickly and easily attached to the CBK-55CL viewfinder stay.  It features an improved eye sensor for increased sensitivity and better positioning, along with enhanced brightness, contrast and peaking level settings.

UMC-S3CA-w-SEL35F14Z_small

UMC-S3CA – This new model is an Ultra high sensitivity 4K interchangeable lens video camera with a full frame sensor. Its Genlock support enables users to operate multiple cameras in synchronization and widens the camera’s range of applications, such as shooting from multiple points or Virtual Reality use. Its small and light weight size make the camera easy to install on cranes and sliders ideal for crash cam use and to capture exciting images from different angles and height.

Ruggedized HDDs – PSZ-HC1T (1TB), PSZ-HC2T (2TB) – Improving on Sony’s previous HDDs, the redesigned 1TB and 2TB shuttle drives feature an extremely durable USB Type-A tethered cable and Type-C port, ideal for memory card backup in the field. The new bus powered HDDs, come pre-formatted in exFAT, are highly shock, splash and dust resistant and come packaged with a sturdy library box for additional content protection during shipping or storage. High speed data transfer has also been increased to up to 138MB/s (read/write) making any backup or storage operations even more efficient.

NAB 2017: Teradek New Products for NAB 2017

HD and 4K HEVC (H.265) Encoders and Decoders

Greater encoding performance, better bandwidth utilization, and incredibly power efficient: our new line of HD and UHD H.265 codecs will bring your digital video workflow into the future.

HEVC, also known as H.265, is a next-generation compression standard that offers a number of enhancements over H.264. Compared to AVC (H.264) compression, HEVC is 50% more efficient, which translates into maintaining the same video quality at half the bitrate or double the video quality at the same bitrate.

In other words, H.265 will save you on bandwidth overhead and cost, especially if you’re transmitting over cellular networks.

teradek-nab17-cube

The Next Generation of Bonding with Teradek Devices

Our Bond module will convert your Cube 600, 700, and 800 series into a 5-modem cellular bonding powerhouse. Combined with our Node cellular modems, connectivity problems will become a thing of the past.

Announcing the Teradek Bond Module and Node Modems

Turn your Cube 655 or new HEVC Cube into a cellular bonding device with our brand new Bond module. Built to slide seamlessly onto our latest Cube models, the Bond module allows you to stream over up to 5 3G/4G/LTE connections at the same time. To keep the system running constantly while you’re on the move, we’ve added a small Li-Ion battery that will give you 5 minutes of extra run time while you swap out your V- or Gold-mount battery.

As an alternative to the camera-mounted model, we’re also introducing a Bond backpack to keep your system protected from the elements. The pack includes room for several (4) smartly mounted modems, in addition to a quick access pocket for swapping power options and configuring your device. More details coming soon.

teradek-wifi-link

A WiFi Access Point for the Video World

Built-in bonding, smart mounting options, and 1000ft of range make Link a no brainer for cinematographers, broadcasters, and independent content creators

Introducing Link: A WiFi Access Point for the Video World

Finding the right balance between performance, hardware design and price in a wireless access point is tricky, but not anymore. Link is the world’s first high-performance 802.11ac WiFi access point built for the video industry. Housed in an aluminum chassis with a variety of clever mounting options, Link fits seamlessly onto DIT carts, light stands, and just about anywhere on set.

With a range of up to 1000ft, Link offers plenty of room for you to operate on both the 2.4Ghz and 5Ghz bands with your Teradek Cube, Serv, Clip and personal laptops. To keep the system powered in more remote areas on set, we’ve included your choice of a V- or Gold-mount battery adapter.

teradek_Bolt_4_RED

Teradek Bolt Does DSMC2

No cables, no clutter: the Bolt module for RED DSMC2 cameras offers up to 3000ft of zero delay wireless video while fitting seamlessly onto the back of your rig.

Zero Delay Wireless Video Designed for RED Cameras

Keep your rig lightweight and free of clutter with the new Teradek Bolt for RED DSMC2 cameras. Available in both 1000ft and 3000ft models, the new Bolt DSMC2 mounts directly to the back of your Weapon, Raven, Epic-W, and Scarlett-W, allowing you to operate without additional cables and accessories around the camera.

The new Bolt design gives you a looping EVF output and transmits RED’s RCP data as an overlay to connected Bolt receivers. Even better, the Bolt DSMC2 can be sandwiched between additional DSMC2 accessories, giving you complete freedom to customize your workflow with several additional modules available from Offhollywood or the Wooden Camera D-Box.

NAB 2017: Freefly Announces Drone-Mountable 5-Axis Camera Stabilizer

Today Freefly Systems announce the MōVI Carbon, the first in a line of 5+ axis gimbals, which is capable of shooting perfectly stable imagery at 240mm (and beyond). MōVI Carbon is the world’s first handheld / drone mountable 5-axis camera stabilizer. MōVI Carbon features 2 inner axes which keep the camera perfectly stable in even the most demanding conditions at a full 240mm zoom. Next time you see a shot and you can’t figure out how it was created….think MōVI Carbon. MōVI Carbon will be in action this summer on the world’s most exciting and demanding productions. Freefly will be demoing MōVI Carbon at NAB 2017.

Imagine your world at 240mm

MōVI Carbon is the world’s first handheld / drone mountable 5-axis camera stabilizer. MōVI Carbon features 2 inner axes which keep the camera perfectly stable in even the most demanding conditions at a full 240mm zoom.

Completely Integrated

MōVI Carbon comes with an a7S II and Sony 24-240mm lens integrated into the gimbal. Freefly has miniaturized, optimized, and cut every gram of weight of our 5-axis design so that you can get it into the world’s most interesting places. MōVI Carbon will enable shots that the world has never seen.

  • Natural history shot freely while moving from 24-240mm
  • Sporting events covered while moving at any focal range
  • Low level dynamic drone shots from focal ranges no other system can achieve
  • Lightweight vehicle mounted shots (car, motorcycle, bike) with the ability to move the camera in / through scenes all while zooming, framing as the operator sees fit.

freefly-systems-movi-carbon-integrated-mobile

Starting Small

Big 5 and 6 axis gimbals already exist. They work great, but Freefly feeds off creating shots the world has never seen before. We decided the most exciting path forward was to release the first in our line of 5 axis gimbals with the smallest cinema quality package with an impressive zoom range. We settled on the stellar a7S II and Sony 24-240mm lens. It’s compact, dynamic, sensitive, and extremely capable.

Will there be larger 5 and 6 axis gimbals from Freefly? Likely…but for now we are focused on helping create a first wave of incredible shots with MōVI Carbon.

Availability

MōVI Carbon will be hand built in low quantity for the near future. If you are interested in reserving one please do so here. Pricing has not been confirmed yet, but is expected to be under $30,000.

NAB 2017: Introducing the Element Series from Convergent Design

(April 11, 2017, Colorado Springs, CO)Convergent Design, a recognized world leader in on-camera recorders, today announces the Element series of multi-camera video recorders and switchers. These simple to use, cost-effective products, emphasize fast video productions by eliminating many time-consuming steps while providing unprecedented access to your video footage, even while you are still shooting.

All devices in the Element series are built on technology not available previously to eliminate many of the time-stealing tasks common to multi-camera productions. By enabling features such as network media access, simple keying and tactile control surfaces these compact, powerful devices are the next evolution in smarter production workflows.

By routing all camera feeds to a single multi-channel recorder, many of the mundane (and time-consuming) tasks such as copying multiple media cards, renaming video clips, re-syncing timecode, transcoding to a common edit-ready CODEC, and aligning clips to the first frame, are eliminated.

element2-top-929x516

ISO recording of all cameras to a single SSD minimizes media and data-wrangling costs. Once shooting is complete, the footage is immediately ready for editing, providing access to all video clips with no additional processing steps. A lightweight proxy of the Program Out or Multi-View can simultaneously be recorded to removable USB media.

The Element family of products will enable users to bring post much closer to production by providing access to video clips, even while shooting. Using a high-speed multi-processor architecture, Element can transfer compressed video clips over Gigabit Ethernet, while simultaneously recording or playing back four streams of video/audio.

element3-top-1200x560

Want to dramatically speed up production by enabling editing, QC review of takes, social media posts, backup, and upload to the cloud? Element’s Network Media Access makes the time-consuming process of uploading footage after the shoot a thing of the past.

Element series devices feature a lightweight, low-power, portable form factor with easy-to-use backlit buttons, rotary encoder for menu navigation and scrub/jog control of playback. Synchronized playback of all channels is provided in a Multi-Viewer format.

NAB 2017: SmallHD Focus 5″ micro HDMI monitor

The 5-inch micro HDMI monitor with massive production value. 499 USD, ships In June.

Daylight Viewable Touchscreen

Bright enough to see. Sharp enough to focus.

FOCUS-tilt-arm

DISPLAY

2-3x brighter than most camera LCD screens
More pixels per inch than an iPad with Retina display
Incredibly simple touchscreen navigation

Auxiliary Power

Use the FOCUS to power your DSLR or mirrorless camera.

The downside to shooting with DSLR or mirrorless cameras is often battery life. The FOCUS provides auxiliary power out; allowing shooters to power their camera with the attached Sony L Series battery (extending run-time as much as 4x).

Convenient Mounting

It’s time to give tilt-a-whirl.

FOCUS-auxiliary-power-1

TILT ARM

Allows the FOCUS to tilt 180 degrees for viewing convenience
Includes a shoe mount of its own for accessories like microphones
Secure and lightweight mounting via shoe adapter or ¼” 20

Access To Professional Features

Introducing Swipe OS: a touch of genius.

Waveform, False Color, Focus Assist, 3D LUTs, and Pixel Zoom are just a few professional software tools at your finger tips with the SmallHD FOCUS.

NAB 2017: ZEISS Compact Prime CP.3 and CP.3 XD Lenses

Tailored for today’s cinema and beyond.

Digital technologies have transformed traditional filmmaking and refashioned the market. New and innovative technologies in both production and post-production have paved the way for a more versatile, cost effective and advanced workflow. The ZEISS CP.3 family is the latest contribution from ZEISS to support creative and progressive filmmaking with an affordable, future-proof and premium quality lens set.

The ZEISS CP.3 lenses offer the perfect combination of high image quality and reliable usability. They exhibit the clean, crisp characteristics ZEISS is known for, together with an interchangeable mount system and full-frame coverage.
The ZEISS CP.3 XD version features innovative and ground-breaking lens data technology to speed-up and simplify the workflow on set and in post-production.

The ZEISS eXtended Data is a unique technology which is based on the Technology and provides information about the lens’ distortion and shading characteristics in real time. With the ZEISS CP.3 XD lenses, even small productions on a limited budget gain access to the advanced techniques common in state-of-the-art, big budget films, commercials and television shows.

zeiss-compact-prime-cp3-lenses-product-02

True cine look

ZEISS Compact Prime CP.3 and CP.3 XD Lenses

Ranging from 15 mm to 135 mm, the ten focal lengths available in the ZEISS Compact Prime CP.3 or CP.3 XD series cover all applications from wide-angle to telephoto. The ZEISS CP.3 lenses feature advanced lens coatings, painted lens rims and special light traps within the barrel to eliminate unwelcome veiling glare and flares. The result is higher contrast, richer blacks and more saturated colors.

  • Clean and crisp ZEISS look which matches perfectly with other ZEISS cinema lenses
  • Color matching and covering full frame across the full range of focal lengths from 15 to 135 mm
  • Special lens coatings support high-dynamic range projects

zeiss-compact-prime-cp3-lenses-product-03

New ZEISS eXtended Data technology

ZEISS Compact Prime CP.3 and CP.3 XD Lenses

The ZEISS eXtended Data technology adds new opportunities to simplify and increase the accuracy of the image capture and processing workflow. ZEISS eXtended Data unifies two data sets: key lens data based on the open /i Technology standard and supported by a wide range of cameras and accessories, plus ZEISS specific lens data that contains precise lens characteristics.

  • A unique technology that provides information about the lens’ distortion and shading characteristics in real time to speed-up the workflow on set and in post-production
  • Lens settings are digitally captured on every frame, avoiding the need to manually record the lens settings for every shot
  • Documentation of the lens’ characteristics enhances creativity by allowing more complex shots to be handled in post-production

zeiss-compact-prime-cp3-lenses-product-06

Ultimate cine ergonomics

ZEISS Compact Prime CP.3 and CP.3 XD Lenses

The ZEISS CP.3 lenses are a professional toolset that simplifies your work on set. They are easy to handle, allow for fast changeover of equipment and give you great creative freedom to make your ideas come to life.

  • Standardized positioning of the focus rings and a consistent 95 mm front diameter allows for fast and easy changeover while on set
  • Extraordinarily smooth focus rotation even in extreme temperature conditions thanks to a new, sophisticated construction design
  • Consistent T-stops simplifies lighting on set and exposure compensations (T2.9 for 15 to 21 mm and T2.1 for 25 to 135 mm)

zeiss-compact-prime-cp3-lenses-product-07

Compactness redefined

ZEISS Compact Prime CP.3 and CP.3 XD Lenses

The compact and light-weight design enables you to use different stabilizing systems and to have a compact camera setup that is ideal for shooting in narrow spaces and for capturing dynamic shots.

  • The compact and light-weight design is ideal for handheld, gimbal, drone and Steadicam applications
  • Consistent size and weight across most of the focal lengths enables quick change of lenses when used on drones and gimbals
  • The ultra-smooth focus rotation allows use of small focus motors

NAB 2017: DJI Introduces Ronin 2, A More Powerful, Versatile and Intelligent Stabilizer For Film And Video Professionals

DJI Introduces Ronin 2, A More Powerful, Versatile and Intelligent Stabilizer For Film And Video Professionals
Redesigned Three-Axis Stabilized Gimbal System Lets Professionals Capture Smooth, Steady Footage in Every Situation

DJI, the world’s leader in creative camera technology, today introduced Ronin 2, the three-axis camera stabilizer redesigned to give filmmakers the freedom to capture any scene they can imagine. Based on DJI’s transformative gimbal technology, Ronin 2 has more power and torque to carry larger cameras, is more versatile to be used in every situation, and has more intelligent features to allow for unprecedented camera moves that help realize every creative vision.

ronin2_02

“Ronin 2 dramatically improves every aspect of the camera operating experience and is the best stabilizer we have ever made,” said Paul Pan, DJI Senior Product Manager. “Completely redesigned to meet the needs of today’s camera professionals, Ronin 2 makes it easier than ever to capture stunning cinematic footage under the widest variety of situations.”

A Powerful Platform For Creative Freedom

Ronin 2 gives filmmakers complete freedom to select the right camera for the shot. An enlarged camera cage and 50mm extendable arms support everything from DSLRs to full cinematic cameras and lenses. Powerful gimbal motors ensure sufficient torque to handle payloads up to 30 pounds. Aided by onboard GPS, the powerful encoded motors let Ronin 2 travel at speeds of up to 75 mph while delivering the same 0.02 degrees of sub-pixel level precision that Ronin users have come to expect.

ronin2_03

Versatile Mounts and Movements

With a new design and detachable Grip, Ronin 2 brings custom stabilization to the full range of camera mounts that directors rely on. From basic handheld and jib configurations to Ready Rig, plus cable cams, vehicles and drones, Ronin 2 provides a wide range of creative flexibility. A new two-axis operation mode for mounting to Steadicams offers unique and creative movements that were once impossible to perform. The quick release mount makes it easy to transfer seamlessly from one scene to the next, giving filmmakers new freedom to explore every perspective with stability and control. A redesigned dual band 2.4/5.8 GHz remote allows minimized interference for full control during remote and two-person operation at a range of nearly 1.5 kilometers.

Faster To Set Up and Easier To Use

Every detail of Ronin 2 has been improved for quick setup and easy operation. New axis locking levers and fine tuning knobs deliver faster and more precise balancing, while the Auto Tune Stability feature intelligently adjusts motor parameters for optimal use in seconds. A new integrated touch screen with 1,000 nits of brightness lets professionals directly configure the gimbal settings for on-the-fly adjustments and for full control of mounted RED cameras.

Redesigned Frame with Centralized Power

Ronin 2 features a redesigned carbon fiber monocoque style frame, providing the highest quality manufacturing ever in a handheld stabilized camera rig while making the platform durable, lightweight and easy to carry. New fold-away feet enable the operator to set the platform down during handheld filming without the need for a separate stand. A splash-proof enclosed motor design with internally routed power, SDI and data cabling enables worry-free shooting in the most demanding environments.

ronin2_04

Integrated power and data ports make Ronin 2 a centralized system for cameras and all accessories without the need for multiple power systems. It features four 14.4-volt (8 amps total) ports near the camera cage, two 12.6-volt (4 amps total) ports near the pan motor, and one P-Tap 12.6-volt (4 amps) outlet on the battery mount.

Dual hot-swappable batteries provide continuous uptime without ever powering down. They are capable of operating simultaneously and independently to provide 2.5 hours of runtime to power the gimbal and a RED Dragon camera. Ronin 2 uses the same ultra-fast charging, high-capacity, self-heating batteries as the DJI Inspire 2, simplifying battery management and guaranteeing reliable power in extreme cold temperatures down to -4 degrees Fahrenheit. The battery system is fully detachable to provide a portable power supply for any 12-volt P-Tap powered camera or accessory.

Enhanced Intelligent Features

The completely updated DJI gimbal assistant mobile app provides a more intuitive and easier-to-use interface for bringing a cinematic vision to life. It includes new studio-oriented functions to easily capture complicated camera moves that once required specialized expertise or additional equipment.

The new Panorama mode automatically controls Ronin 2 to create still image panoramas that account for the camera sensor type and lens focal length as well as the user-defined overlap rate. Its new Timelapse mode can program multiple movements and camera actions at different points along a route, and view progress in real time. And the new CamAnchor mode lets operators quickly record a preferred gimbal orientation at particular locations, then revisit them with a simple touch as the camera moves from point to point.

The intelligent SmoothTrack system that provides stable images while the camera is on the move has been enhanced with an updated algorithm for keeping Ronin 2 in sync with the operator’s movements. For every scenario encountered by a professional camera, Ronin 2 users can fine-tune how their rig responds to new movements along all three axes.

Availability

Ronin 2 will be available in the second quarter of 2017 from dji.com, DJI Flagship Stores, DJI Authorized Retail Stores, and DJI Resellers worldwide. Pricing will be announced prior to availability.

NAB 2017: ARRI Goes Wireless with the New ALEXA SXT

In a move that will increase efficiency on set, ARRI has integrated a high-quality and low-latency HD video transmitter and a WiFi radio into the new ALEXA SXT W model (“W” for Wireless). Based on the popular ALEXA SXT Plus, the SXT W will replace the ALEXA SXT Plus and ALEXA SXT Studio models. As always, there are attractive upgrade options for existing owners of ALEXA SXT EV and ALEXA SXT Plus cameras.

The new hardware will be accompanied by software upgrade SXT SUP 2.0, which adds improved HDR monitoring, support for current SxS PRO+ and CFast 2.0 cards, quicker frame grabs, various WCU-4 and lens motor features, and other refinements.

Having a video transmitter built into the ALEXA SXT W makes the camera smaller and lighter than it would be with an external transmitter. It also means fewer cables around the camera and fewer associated problems, since cable failure is by far the most common technical hitch on set. Camera setup and power-up will be quicker, and productions will be able to move faster.

alexa_sxt_w_b_01

Get ready to unplug – an integrated video transmitter allows faster setup and more efficient operation.

In addition, the integrated WiFi radio opens up a whole range of options, starting with wireless color management on set and continuing with wireless camera remote control using the ALEXA Web Remote. Other exciting WiFi options are currently under development.

The ALEXA SXT W forms part of a new and complete ARRI Wireless Video System, along with a stand-alone video transmitter for use with other ARRI or third-party cameras, and a stand-alone video receiver that picks up signals from either transmitter. At the heart of the system is technology from market leader Amimon, with special hardware and software modifications to comply with ARRI’s stringent performance and quality requirements.

An extensive accessory range will include various mounting brackets, antenna extensions, and the handheld Director’s Monitor Support (DMS-1), as well as a specially adapted Transvideo monitor with a built-in receiver for the ARRI transmitters. Whether using this monitor or others, the modular system allows for a compact and efficient setup. An extra power-out on the video receiver, for example, permits a single on-board battery to power both the receiver and an attached handheld monitor.

For the director, cinematographer, assistant, or anyone else on set, a monitor feed from the ARRI Wireless Video System increases creative control and oversight without adding clutter to the camera configuration or potential difficulties for the crew. From the protective collars on the connectors to the versatile mounting options, all of ARRI’s expertise has gone into the ergonomics and durability of the system. Designed for real-world usage on professional sets, every component is spray and dust proof, constructed from rugged materials, and has a wide operating temperature range.

Interference between different radio frequencies can be a time-consuming issue for camera crews. The ARRI Wireless Video System eliminates this issue because it works harmoniously with ALEXA SXT W’s other radio-based offerings: the WiFi and the ECS, ARRI’s proprietary camera and lens control system. Since ARRI now fulfills all wireless requirements, crews can be sure there won’t be any problems on set. The high-quality video feeds from the ALEXA SXT W and stand-alone transmitters are long-range, uncompressed, and encrypted for safety. Audio, timecode, and REC flag are included in the zero-delay signal, and up to four receivers can be used per transmitter.

alexa_sxt_w_b_02

The introduction of a built-in wireless video transmitter is a significant upgrade for the ALEXA SXT and reflects ARRI’s commitment to continually improve the SXT platform with additional functionality. Further hardware and software developments are in the works.

NAB 2017: Decimator Design Announces New DMON-QUAD MultiViewer

4 x (3G/HD/SD)-SDI to HDMI Converters with 1 to 4 MultiViewer, Custom Layouts and 8 Channel Audio Meters

MSRP US$295

The DMON-QUAD is a truly portable converter, that incorporates our easy to use LCD and button control system. This gives you easy access to most of the amazing features without using complicated LED/button control, dip switches or having to carry around a computer to change a simple setting.

Features:

  • Supports 3G level A and B on inputs and output, allowing conversion between 3G level A and B
  • Low cost (3G/HD/SD)-SDI 1 to 4 Multi-Viewer or 4 to 1 input multiplexer
  • Custom Layouts with various standard layouts
  • 16 Character UMD overlay per window with individual enables, custom positioning and size
  • 8 Channel Audio Metering overlay per window with individual enables, custom positioning and size
  • Horizontal and/or Vertical image flipping per window
  • Audio ID overlay
  • Tallies can be applied to either Tally Boxes (Default) or Border
  • Tally boxes allows for up to 4 Tallies per window
  • Fast switching between inputs using Full-Screen scaling
  • Selectable output format in both Full-Screen Multi-Viewer mode
  • Low latency buffering for each input allowing non-synchronous inputs
  • Linked (3G/HD/SD)-SDI and HDMI outputs
  • 4 x (3G/HD/SD)-SDI inputs with auto detection (26 Formats supported in total)
  • Each window is independent of the others, allowing any 3G/HD/SD format of any frame rate to be displayed simultaneously
  • Variable aspect ratios per window
  • In Pass-Through mode the selected input is passed through to both the (3G/HD/SD)-SDI and HDMI outputs

This unit also includes:

  • GPI on RJ-45 connector for Tallies and Remote Switching
  • RS422/485 on RJ-45 connector for Dynamic UMD and Tallies
  • USB port for control and firmware updates
  • Robust Aluminium box
  • Metal Thread Locking DC Power Socket
  • Power Supply, HDMI Cable and USB Cable

NAB 2017: Decimator Design Announces New MD-LX HDMI / SDI Bi-Directional Converter

HDMI / SDI BI-DIRECTIONAL CONVERTER
MSRP US$99 (ETA July)

Pocket sized at 60mm x 73.7mm x 23mm (2.4”x2.9”x0.9”)

Modes:

  1. Auto Select (Active input to all outputs or if both inputs are active SDI to HDMI and HDMI to SDI)
  2. HDMI IN to SDI OUT and SDI IN to HDMI OUT
  3. SDI IN to HDMI and SDI OUT
  4. HDMI IN to HDMI and SDI OUT

Features:

  • Supports 3G Level A and B and allowing for conversion between both
  • USB provides for power, control and firmware upgrades
  • Low power
  • This unit includes a Power Supply and USB Cable (HDMI cable not included)
Pages:12»